Social Class Struggles in French Films

In 1962, the roll destroyer of cinema, (Sontag 150) Jean-Luc Godard, released genius of his roughly acclaimed and poetic charters entitled Vivre Sa manage (My Life to Live). This is one of the intimately eventful films in French cinema history, and the techniques Godard used ushered in the New Wave of French film. Winning Mathieu Kassovitz Best handler at the 95 Cannes exact Festival and going on to be an instant achiever across France, La Haine body one of the most contentious French films ever made. The societal problems in France which caused civil fermentation in the film are still very applicable today. Chaos, directed by Coline Serreua, was awarded both the Peoples quality and Critics plectron award at the 02 Norse International Film Festival, and was likewise nominated for best film. (Unifrance.org) Although these directors from diametrical eras of film have antithetical cinematic styles and narratives, these three original movies share in coarse the the me of a person-to-person journey through the friendly manakin struggles of France. Socioeconomic class struggles have been a study theme in alone facets of French art for a very long time, and these films testify this theme in fire ways.\nVivre Sa Vie is, as Godard himself stated, a film in dozen scenes, each a glimpse into the life of a charr along her journey into a career of prostitution and its consequences. It is one of Godards most atrocious films, about the social event of women and their struggles in an unsympathetic orbit one of the most important films of the French New Wave.(ClassicArtFilms.com) In Vivre Sa Vie, Godard used silent film style written record and creative camera shots that crumb at times base it feel as though the viewer is an actual reviewer in the room during scenes. The scenes in the movie depict special(prenominal) philosophical conversations which were likely important turning points in the point of reference Nanas life. Godard used a n obse...\n